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When I think about my career and all the jumps I've made, it's always been jump into growth.
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Money has followed.
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I don't hire at that level based on resume, based on skill set, based on whatever degree you have.
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I hire based on resilience, based on hustle, based on how you communicate with me, how you show up, executive presence.
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I can teach the rest.
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Now my role is to find really talented people, place them in their gifting, give them the tools they need to succeed, and then get out of the way.
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Hello and welcome to the Career Journey Podcast, No Wrong Choices.
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I'm Larry Samuels, and I'll be joined in just a moment by Tushar Saxena and Larry Shea.
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This episode features the dynamic CEO of FlyteVu, Laura Hutfless.
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Before we bring her in, please be sure to follow the show wherever you're listening right now.
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Your support enables us to keep bringing these great stories to life.
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Let's get started.
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Now joining No Wrong Choices is Laura Hutfless.
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Laura is the CEO and co-founder of FlyteVu, a creative and entertainment marketing agency that connects brands to pop culture with purpose at the core.
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Laura, thank you so much for joining us.
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Hi, thanks for being here.
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I'm excited.
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So to get all of that right, uh I often write these intros and assume that I've I've gotten things correct.
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Was that a the proper setup?
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Yeah, that was perfect.
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Those were my lines.
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Perfect.
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So if you would, please, you know, tell us who you are in your own words.
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Uh I'm Laura.
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I'm the founder of Flight View, as you mentioned.
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Started the agency about 10 years ago.
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Uh I actually uh sold the agency about six months ago.
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I'm still on as CEO.
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So now I've transitioned from founder to CEO, which is a very different role.
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I was gonna say, is that better or worse?
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Uh it's just different.
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There's uh it's it's just different.
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And it's it's exciting and new and fun in different ways.
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Uh and so our agency uh helps our clients who are brands connect to pop culture in many different ways from celebrity endorsements to commercials to experiential activations, um, integrating the pop culture moments and conversations.
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And so uh we do something different every day.
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Sounds fascinating.
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Um I'm Larry Shea.
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Nice, nice to uh meet you and and thank you so much for joining us.
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Um, I get the fun part.
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I get to bring you all the way back to the childhood because so much of our career journeys are influenced by who we were from the beginning.
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So, where did you grow up?
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Um, was this always the dream, or was it something else?
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Well, I grew up all over the country.
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My dad was military, so he was the commander of an aircraft carrier, and my mom was an art teacher.
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So I have worked between the creative worlds and uh bureaucracy my whole life.
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Yeah, you are very well versed in both, right?
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Somehow made that into a career now.
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Uh, but I was a really creative child.
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I think I was naturally gifted in art.
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Uh, that was really encouraged in my household.
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Um, and so I wanted to go into an art-related field.
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Um, my dad said I had to make money, so that became graphic design.
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Um, and I was a graphic design major at North Carolina State University.
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So decided to pursue school design.
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I didn't know what that meant.
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I just knew I got to do art.
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So, Laura, I'm Tushar, by the way.
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Um, and you know, that sounds really interesting.
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So, growing up, um, obviously you have that the military background, your military background through your father.
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Um, how did you see yourself?
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Do you think that your father's leadership skills, and we'll get into a little bit more about the childhood in a moment, but you know, it's very interesting to say that, you know, obviously you were founder, CEO now, which means you are a leader of people.
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And is I I would have to think that so much of your leadership skill now was influenced by your father, being obviously the man who is a Navy man himself, a commander, etc.
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Yeah.
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Uh after he retired from the Navy, he became a venture capitalist.
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Uh so I very much followed my father's footsteps.
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I am very much my father, just in my personality and even my sense of humor, or sometimes lack thereof.
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Like that is my that is my dad.
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Um, and so I definitely did follow in his footsteps, uh, took the business route.
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He really taught me a lot along the way.
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Um, and so that's been a really special, special relationship that I have with him.
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Talk, talk a little bit about the art stuff though.
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Did you ever want to just pursue that professionally, or was it always gonna be in a business capacity because, as he said, you need to make some money?
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Yeah, I don't think I knew what opportunities were out there for kind of art or I only knew drawing and painting.
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Like I didn't really know anything beyond that.
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I knew graphic design.
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And actually at that time, there weren't as many fields in that space as there are now with kind of video game design and experimental design and all the things that um have come about in the last 25 or so years.
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Uh, and so I just I only knew that was the path.
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And so I went to school, just knowing I loved art, knowing I wanted to create things.
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Um, and then that's where I learned there were other opportunities.
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I started getting into film, uh animation.
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Um, pretty much everybody in school wanted to be a Disney animator.
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That was the dream.
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Um, and it was mine actually for maybe the first two or three years.
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And then I fell in love with country music.
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Um, I was in North Carolina, big hub for country.
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And so I started taking internships in anything in country music.
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So I worked at the country radio station, I worked at Sugar Hill Records, which was a label based in North Carolina, ironically.
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Uh, and so I just started networking in the industry, and then I decided I wanted to be an art director at a record label.
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That was my dream, and that's why I moved to Nashville.
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What was your time like in in high school and college, especially in those formative type of years when you kind of began to, you know, maybe say to yourself, okay, I want to make, I want to make a career out of, you know, being an artist.
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I mean, and I guess that kind of follows to another question, which is, you know, do you see yourself or did you always see yourself um going the route of becoming a maybe a musician or an artist?
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I mean, you know, after doing a little bit, obviously we've all done research on you.
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It seems that that kind of really jumps out at me that you know, you in many ways wanted to be an artist in some sort of in some way, which you've now obviously turned into a career in another direction.
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Um, I was definitely entrepreneurial when I was young.
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Uh and I made art uh a job, meaning, I mean, I was always making things.
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Like I was making pot holders and selling them in front of the grocery store.
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Like I remember having a babysitting.
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It was a really much pyramids game.
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Like oh geez.
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I really could.
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I was 12.
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And I you can say that now.
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Yeah, I would draw the flyers.
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I mean, I hand drew like a hundred flyers and would distribute them around the neighborhood.
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Like I was always using art to make money in some way, uh, which also I think is part of my dad, you know, like you want to eat, you gotta work.
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Like that was drilled into me.
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You refuse to be a starving artist.
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I understand, right?
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Yeah.
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So I was always finding ways to kind of build things or make money using my creative skill set.
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Um, and so that just naturally, I think that was natural.
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No one really taught me that.
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Um, and that was really driven.
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So I loved art, but I also was competitive.
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And so I played sports, I was in a lot of team sports.
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Uh, I was a figure skater, competitive figure skater growing up.
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So I had these two sides, like the artist in me, but then the competitive business side that I think I get from my father.
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So combine the two and kind of that's and here we are.
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Yep, here we are.
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So, how did you focus all that?
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You talked about the design, passion for country music.
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We know that your first job, I think, was in the talent agency world.
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How did you enter that?
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How did you pursue that?
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How did that job come about?
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It wasn't the first job in Nashville.
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So this was again a long time ago before LinkedIn and social media.
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So the only way you were able to get a job is if you networked, you knew somebody.
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So I moved to Nashville, knew very few people, just tried to meet everybody I could.
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I think I worked a retail job on Music Row.
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Uh, and I just would try to meet some people for coffee.
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I finally uh had an interview at a record label, and I walked in and I showed them my portfolio, and I was so excited that maybe I could start a career there.
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And I'll never forget the uh art director there told me he looked, took one look at me and said, you should be in a music video.
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Oh, geez.
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Where is this conversation going?
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Um yeah, this comes back around because he later applied for the a job at Flight View.
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So it always comes back around.
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But very funny.
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Okay, this is gonna be a little more difficult than I thought.
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So that didn't work out.
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Uh, but through a connection, uh, ended up getting an interview at Willie Morris.
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Big talent agency.
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I had no idea what they did.
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I just knew it was in music.
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Again, I took in my portfolio, and this time a female head of HR looked at it and she said, Man, you're really creative.
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And I know, look at your resume, you are top of the class, valedictorian.
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If I gave you a job as a booking agent, you would do it well, but you wouldn't love it.
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It's not your gifting.
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I cried because I wanted the job.
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Right.
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Uh, but she sent me away.
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And a few weeks later, she called me back and she said, We just hired our first sponsorship and endorsement agent.
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She said, to be honest, I don't even know what that means, but she needs someone who can create PowerPoints.
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And I saw your portfolio and I think you could do that.
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And I said, Yes, I can.
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And so they hired me.
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And the beauty of that is I went straight onto a desk.
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And as you know, I avoided the uh the mail room, the legendary mailroom.
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The legendary mailroom.
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Uh so I rem I remember that because it was so formative.
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Like she really gave me the role that fit my gifting instead of just placing me in a gap that she needed to fill.
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And so I owe her a lot for really directing my career.
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You're the one that skipped the line.
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Yeah.
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There are many.
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For those who don't know, we should interject.
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So that there's this, I don't know what to call it, that this this legendary way to enter the world of being a talent agent.
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And one of those writs of passage, one of the famous ones, is um young people getting a job, pushing a mail cart for like $12,000 a year at William Morris just to get in the building.
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And that's how countless really powerful, famous people have gotten started.
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And what we're discovering is that Laura didn't have to do that.
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So she's more creative than uh Michael G lettes on, right?
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Pretty special.
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Um, let's so let's talk about like getting in the door though.
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But would you say that networking is probably one of your greatest skills?
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Is because that's a lot of how these amazing jobs come about and how our career path is is built journey by journey.
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Was that a huge part of what you were doing when you were younger?
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Um I would say it was required.
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There's no other way to meet anybody.
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I didn't have a family connection, I didn't live in the market already.
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Like there was no other way than just to meet people.
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Um, every meeting I took, I would ask that person for two more connections.
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That's how I built that network.
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And that that's advice I give to my team now.
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Don't ask for a job, right?
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Don't ask for something that's hard for them to do.
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Ask for something easy.
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Can you make an introduction for me?
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And even if they made one out of the two, that's your next person.
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So just always take the next step.
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Like you're always just trying to ask for the next thing.
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Um, don't go in asking for the whole world.
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Something that they can easily get you.
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So that led to a lot of connections in the industry.
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Did did that come easy for you, or was that something that you had to work on?
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I think that came easy because I'm going back to my days of selling pot holders and going door to door with my babysitting business.
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Uh, you know, it's a sale, it's sales.
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You're selling yourself, like you're making connections, you're figuring out how to connect with people, finding something in common, right?
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And and also growing up uh moving every three years because of my dad's job.
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I had to adapt to the new city, the new environment, the new kids.
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As a kid, that was hard, but that taught me a lot about how to relate to people so that I could fit into that culture or that group.
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Uh, so I look at kind of how life prepares you as you do on this podcast, which is why I was so excited to be on it, is kind of everything in your journey prepares you for, you know, the next try.
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That's right.
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What was your time in North Carolina State like?
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Go pack, by the way.
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Um, what was your time at NC State like?
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Um you know, obviously where you found your your real love for graphic arts.
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Um what was that?
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What were the what were those years like?
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Was did you go in knowing that this is what I want to do, or was art essentially the baseline for what I wanted to do with my life knowing and then finally finding that that one passion there?
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Yeah, well, the way their design program is set up, at least back then, the first year it was fundamentals.
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So you didn't actually have to decide graphic design, animation, interiors, and any of the subgroups until everybody went through that first year.
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So that first year gave everybody a chance to really focus on creativity, like how to think outside the box, how to use mediums you've never used before.
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Um, and I was coming, I just graduated from a high school in West Virginia.
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So this was like small town to big city.
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So that first year was probably the most formative.
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I had a great professor uh who really took a liking to me and really gave me lots of opportunities.
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Um, and so I just got to explore.
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And I I chose North Carolina State and that design school because of that fundamentals program.
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The other school, like Savannah College of Art and Design, like you had to go in knowing what you wanted to do.
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And I didn't know.
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I didn't have a lot of exposure to the world or to arts.
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Again, I was in West Virginia.
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So I think that was so important that first year to understand.
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Wow, I love to draw, I love illustration.
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I probably don't want to just be an illustrator.
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Let's try graphic, let's try animation, let's try all these other things that I haven't even been exposed to yet.
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So that time at North Carolina, and obviously um, you're at NC, you're at NC State.
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What what what years are we talking about here?
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Like right before 2000, right in the mid-90s, correct?
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Oh boy, you're gonna give my age away.
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Um 2000 to 2004.
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All right, so 2000, 2004.
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So you're talking about like the the beginnings of new technology coming into such a field, right?
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So, you know, uh we always talk about sometimes it's not it's better to be lucky than good, but sometimes it's always good to be lucky as well.
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Um, so here is one of those instances where it's like, you know, you're kind of basically coming into a field where you can become really step on the vanguard of new technology coming into this field, right?
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Okay, yeah.
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And here's where it went south for me is I realized through my first internship in graphic design during college at Huffy Bicycles, by the way, that I did not want to be a graphic designer.
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Oh, interesting.
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But that's important too.